These mustaches are entirely handcrafted in Florence, Italy. They are made on very thin, flesh-colored film tulle.
This type of tulle must be applied correctly with the appropriate professional cosmetic mastic. Once applied correctly, the tulle is completely invisible. The hair used is natural and is slightly frizzy just like the hair of a natural moustache.
To create this product we use the crochet technique. The hair is applied to the cinematographic tulle one by one or in small locks. The workmanship of this pair of moustaches is the same that we use to produce moustaches and similar that we use for cinema, television, theater, opera and entertainment in general.

These mustaches are ideal for playing characters from the 19th or early 20th century. This artifact can also be paired with sideburns, beards or goatee of any shape and color.

How the product is packaged:

This product of ours is sold in a special package equipped, in addition to a vial of professional cosmetic mastic to glue them, also with the relative instructions for better applying, removing and maintaining them. The mustache is, of course, sold already curled according to the shape in the photo and according to the requested color. To curl the mustache we use old calamistri from the shop that we heat on the fire just as it was done in the past.

Mustache application and removal

Inside the package you will find not only the mustache and the vial of cosmetic mastic, but also an instruction sheet for the correct application and removal.

Product customization:

We remind you that we can always customize the product according to your taste or need. If necessary, at our workshop, we can create your hairpiece by taking the cast or model of your face. The mustaches in this listing are made entirely by hand in our workshop in Florence in via Giuseppe Verdi.

A short video to tell the story of the creation of our products

A very short video on what’s in the box

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These mustaches are entirely handcrafted in Florence, Italy. They are made on very thin, flesh-colored film tulle.
This type of tulle must be applied correctly with the appropriate professional cosmetic mastic. Once applied correctly, the tulle is completely invisible. The hair used is natural and is slightly frizzy just like the hair of a natural moustache.
To create this product we use the crochet technique. The hair is applied to the cinematographic tulle one by one or in small locks. The workmanship of this pair of moustaches is the same that we use to produce moustaches and similar that we use for cinema, television, theater, opera and entertainment in general.

These mustaches are ideal for playing 30s characters. This artifact can also be combined with sideburns, beards or goatee of any shape and color.

How the product is packaged:

This product of ours is sold in a special package equipped, in addition to a vial of professional cosmetic mastic to glue them, also with the relative instructions for better applying, removing and maintaining them. The mustache is, of course, sold already curled according to the shape in the photo and according to the requested color. To curl the mustache we use old calamistri from the shop that we heat on the fire just as it was done in the past.

Mustache application and removal:

Inside the package you will find not only the mustache and the vial of cosmetic mastic, but also an instruction sheet for the correct application and removal.

Product customization:

We remind you that we can always customize the product according to your taste or need. If necessary, at our workshop, we can create your hairpiece by taking the cast or model of your face. The mustaches in this listing are made entirely by hand in our workshop in Florence in via Giuseppe Verdi.

The post Thin Mustache 30’s Style appeared first on Filistrucchi.

These mustaches are entirely handcrafted in Florence, Italy. They are made on very thin, flesh-colored film tulle.
This type of tulle must be applied correctly with the appropriate professional cosmetic mastic. Once applied correctly, the tulle is completely invisible. The hair used is natural and is slightly frizzy just like the hair of a natural moustache.
To create this product we use the crochet technique. The hair is applied to the cinematographic tulle one by one or in small locks. The workmanship of this pair of moustaches is the same that we use to produce moustaches and similar that we use for cinema, television, theater, opera and entertainment in general.

This moustache is ideal for playing the character of Charlot created by the great Charlie Chaplin.

How the product is packaged:

This product of ours is sold in a special package equipped, in addition to a vial of professional cosmetic mastic to glue them, also with the relative instructions for better applying, removing and maintaining them. The mustache is, of course, sold already curled according to the shape in the photo and according to the requested color. To curl the mustache we use old calamistri from the shop that we heat on the fire just as it was done in the past.

Mustache application and removal:

Inside the package you will find not only the mustache and the vial of cosmetic mastic, but also an instruction sheet for the correct application and removal.

Product customization:

We remind you that we can always customize the product according to your taste or need. If necessary, at our workshop, we can create your hairpiece by taking the cast or model of your face. The mustaches in this listing are made entirely by hand in our workshop in Florence in via Giuseppe Verdi.

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This nose can be matched to the witch chin as shown in the small picture at the bottom left of the image of the product; The chin is art. MNL001

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This mask is sold in a special package containing a professional cosmetic mastic phial to glue it and a user guide for the application.

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The two parts of this mask are sold in one single package containing also a professional cosmetic mastic phial to glue it and a user guide for the application.

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The Penguin appears for the first time in December 1941 on Detective Comics’s number 58. His editorial existence will be overthrown by Batman returns of 1992 that will change the story and appearance until 1995 when, with the story Penguin triumphant, it will recover its classic connotations and continue its criminally uphill career.

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The Beauty and the Beast (French title: La belle et la bête) is a famous European tale, spread in many variants, whose origins could be found in a story of Apuleius, contained in The Golden Bear (also known as The metamorphoses) and entitled Love and Psyche. The first edited version was that of Madame Gabrielle-Suzanne Barbot de Villeneuve, published in La jeune américaine, et les contes marins in 1740. Other sources, on the other hand, attribute the recreation of the original story to Giovanni Francesco Straparola in 1550. A tale that could has been inspired by a true story on the shores of Lake Bolsena, in the province of Viterbo. The most popular version is, however, a reduction of Madame Villeneuve’s work published in 1756 by Jeanne-Marie Leprince de Beaumont in the Magasin des enfants, or in dialogue with a sage gouvernante and plusieurs de ses élèves. The first translation, in English, dates back to 1757.

There are numerous adaptations and transpositions of this fairy tale known throughout Europe. In France, for example, in 1771 it was written by Marmontel and composed by Grétry the lyric version of Beauty and the beast, based on the story of Mme Leprince de Beaumont titled Zémire et Azor, which also gained enormous success in the nineteenth century.
It is dated 1742, on the other hand, the dramatic work Amour pour amour by Nivelle de la Chaussée, always inspired by this fairy tale.

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They are similar to humans, tall and thin, but strong and fast, clean face, serene, slightly pointed ears. They are described with an acute view and a very sensitive hearing. They do not have a beard, they have blond or silvery hair and brilliant eyes able to penetrate the person until they know their thoughts and have telepathy.

They have splendid and clear voice. They are smart and harmonious, with great respect for the four elements and nature.

Sometimes some may be whimsical and sometimes benevolent with the man who respects them, they can donate magical objects to those who are pure of heart and spirit and who want to help. They know to forge swords and metals and have knowledge of magic. Originally, elves were perhaps conceived as dead souls, then venerated as powers that favored fertility. Hence the distinction, in Norwegian mythology, between Døkkálfar, “elves of darkness,” and Liósálfar, “elves of light”.

They live mostly on trees or in some hidden forests. They never harm and in no way harm nature because it is an essential part of their life and existence. They nourish a great consideration for nature, conceived as an entity, a great etheric spirit, mother of all beings.

They manage to walk without leaving traces, they are immune to diseases and resist extreme temperatures. The elves have long life and grow older without their beauty getting tired of time. In principle, they are immortal but are not invulnerable to the wounds of swords, arrows, and poisons and can therefore be killed.

The elves do not have only positive aspects: there are many legends related to this being that they tell of the evil actions they have done against men who occasionally kidnap their children. The elves are framed in a rigid hierarchy at the head of which are the queens and kings of fairy hills, recognizable because they are often covered with a cool mantle of hawthorn. Shakespeare in his plays has spoken very often about elves, for example in the dream comedy of a midnight summer night.

In Sicily, in the context of donas de fuera (witches with fairies), there are elves, the only presence in Italy and in southern Europe that unites Sicily with the folklore and the northern mythology of the British Isles.

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